Ch-Ch-Ch-Ch-Changes, Part I

Ch-Ch-Ch-Ch-Changes, Part I

Metamorphosis (Filmirage, January 1990)

It’s that time again. I can sense casual Black Gate users getting complacent, so here is a new movie watch-a-thon project. This time, based on my recent experience with The Substance, I’m going to be unearthing flicks that deal with transformation; Jekyll and Hyde riffs, body horror, self-made monsters. Bear with me as it’s often difficult to find films I haven’t seen before, but with perseverance and nightly prayer I’m sure I can get to the finish line in a timely manner. With that said…

Metamorphosis (1990) – Tubi

Taking inspiration from the success of The Fly from four years prior, Italian director Luigi Montefiori (under the pseudonym G.L. Eastman) banged out this strange little film about a single-minded scientist and his doomed experimentation. There are plenty of similarities to Cronenberg’s classic: an ill-fated love affair, pseudoscience, baboons, slow body decay, and the dispatching of interfering busy-bodies, but its a bit of a slog due to some underwhelming performances, weird shot choices, and ropey effects.

Read More Read More

Tor Doubles: The Westerns

Tor Doubles: The Westerns

Tor Doubles

As I mentioned last week, in January of 1990, Tor began published a second series of Tor Doubles: The Tor Double Action Western series. Running for twenty months, the books in this series were anonymously edited and packaged by Martin H. Greenberg and Bill Pronzini through Tekno Books. Not only did they differ from the science fiction series in subject matter, but also in format.

While most of the Tor SF Doubles were published as dos-a-dos format, where the book needed to be flipped over to read the second story, this series was all published in a standard format, with the second story following the first. As it happens, a month after this series was introduced, the Tor SF Double was  published in the same traditional format.

The Westerns also differed because while the SF volumes mostly included stories by different authors (with three exceptions), each of the Tor Double Action Westerns featured two stories by the same authors, essentially making each volume a two story collection.

Over the course of the twenty volumes, twelve authors were represented, with Henry Wilson Allen appearing under two pseudonyms: Clay Fisher and Will Henry, Lewis B. Patten having two volumes showcasing his work, Zane Grey stories appearing in three volumes, and Max Brand showing up in a full quarter of the books published, including the first and last volumes. Also, while most of the authors who were published in the science fiction series were alive at the time their works were printed, only three of the Western authors were alive: Allen, Steve Frazee, and Wayne D. Overholser.

The last five volumes in the series were rebranded as the Tor Double Western series.

Read More Read More

Goth Chick News: A First Look at Stills from del Toro’s Frankenstein

Goth Chick News: A First Look at Stills from del Toro’s Frankenstein


Look, I know I’ve been badly burned before when it comes to remaking classic horror, and the cinematic road to bringing Mary Shelley’s Frankenstein to the screen has often been paved with both hell and good intentions. More often than not, the monster’s not the only thing that’s been poorly stitched together.

But this time it feels different.

Which I know has likely cursed this entire endeavor, but here we go.

Read More Read More

After Fifty Years: Childhood’s End

After Fifty Years: Childhood’s End

Like a lot of people, I fell under science fiction’s spell during those intermediate years when childhood blurs into adolescence, and fortunately for me, there was a thrift store around the corner from my middle school, with shelf after dusty shelf of used paperbacks that you could buy for twenty five or thirty cents apiece. Every day when school was over, I would take my lunch money and go there and, attracted by the outlandish, gaudy covers, spend my daily seventy-five cents on sf paperbacks (sorry, Mom).

My first discoveries and greatest loves were Robert A. Heinlein’s juveniles and his Stranger in a Strange Land (way too young to be reading that one), Isaac Asimov’s robot stories (I had a thing for Susan Calvin), and Ray Bradbury’s Martian Chronicles and his wonderful, phantasmagoric short story collections S Is for Space and R Is for Rocket. Along with volumes from the anthology series like Star and Spectrum that were once so common and sadly no longer are, these books and authors formed the haphazard curriculum of my science fiction education.

One author was largely missing from my course, though — Arthur C. Clarke. Oh, I had read the three classic stories that turned up in so many of those anthologies — “The Star”, “The Nine Billion Names of God”, and “The Sentinel”, but of Clarke’s many novels, the only one I read back then was his 1953 evolutionary drama, Childhood’s End. Like Heinlein’s Stranger in a Strange Land but for different reasons, I was too young (fourteen) to fully appreciate the book; I liked it well enough, but it didn’t spur me on to read any of Clarke’s other novels.

Read More Read More

Planet Stories: Sojan the Swordsman/Under the Warrior Star by Michael Moorcock and Joe R. Lansdale

Planet Stories: Sojan the Swordsman/Under the Warrior Star by Michael Moorcock and Joe R. Lansdale


Planet Stories #29: Sojan the Swordsman by Michael Moorcock/ Under the Warrior Star
by Joe R. Landsale (Paizo Publishing, October 5, 2010). Cover by Kieran Yanner

When I saw this book, I immediately had to have it. A “Planet Stories Double Feature!” Planet Stories published quite a bit of Sword & Planet fiction back in the day, and of all the pulps, if I could have had a subscription to just one it probably would have been that one.

This “Planet Stories,” however, is a modern effort from Paizo Publishing that started out reprinting old tales from the original magazine, including some great stuff by Leigh Brackett.

This particular work contains two novellas, “Sojan the Swordsman” from Michael Moorcock, and “Under the Warrior Star” by Joe Lansdale. “Sojan” reprints a bunch of old Sojan tales from Michael Moorcock, which were linked together to make something of a longer tale. It was printed first in the collection, probably because he’s the better known of the two authors, but I think they should have done the Lansdale piece first. It’s considerably better.

Read More Read More

What I’ve Been Watching: August 2025

What I’ve Been Watching: August 2025

“Hey!” (you say to yourself). “I wonder what Bob has been watching? It’s been since May. Well, dear reader, I can’t leave you unfocused on our Monday work day, so let’s take a look, shall we? And – Gasp! – it’s all current stuff. How about that? And this is all spoiler free.

BALLARD

Michael Connelly writes the Bosch books, which spawned a terrific, gritty, seven season streaming series. HIGHLY recommended watch. Bosch an LAPD homicide detective, underwent a career change, which is the subject of the succeeding series, Bosch: Legacy. That lasted three seasons. All of this stuff has been taken from the novels. In the final episode of Legacy, an LAPD detective named Renee Ballard (also from a Connelly book series) plays a central part. And that’s because she’s the star of her own new series on Prime.

Read More Read More

The Chain Story 2 – Sword and Sorcery

The Chain Story 2 – Sword and Sorcery

It has been 15 years since The Chain Story Project hit the internet; in 2010, Michael Stackpole led a bunch of authors to write stand-alone adventures all shared via “The Wanderers’ Club.”  All the stories were “chained” together with a common element but enabled every contributor to showcase their own characters/worlds. As standalone tales, they could be read in any order. And…. all stories were free to readers (at least for several months, many times indefinitely)!

Chain Story 2 has just commenced and will follow the same approach. This round, expect Sword & Sorcery with a common magical artifact represented in the logo. Learn about the project and the first three entries now on Black Gate. Shortcuts to the first three free stories are included below. Stories will be released every few weeks, so check the Chain Story website continuously, and you will also be treated to cool interviews (i.e., with S&S Champion Matthew John, who just released his second entry in his Maxus Cycle, Within the Weeping Eye).

We’ll aim to review the Chain Story Project as it develops again in a few months, but read this to get onboarded!

Read More Read More

Monster Mayhem, Part III

Monster Mayhem, Part III

Pacific Rim (Warner Bros. Pictures, July 12, 2013)

Pacific Rim (2013)

It goes without saying that I have to include Del Toro’s love-letter to kaiju flicks on this list, and this one, being the first in a patchy franchise, ticks all the boxes.

Giant, horrible monsters? Check.

Colossal, clunky robots (loosely speaking)? Check

Citywide destruction? Check.

Ron Perlman? Check and check.

Read More Read More

Tor Double #17: L. Sprague de Camp’s Divide and Rule and Leigh Brackett’s The Sword of Rhiannon

Tor Double #17: L. Sprague de Camp’s Divide and Rule and Leigh Brackett’s The Sword of Rhiannon

Cover for Divide and Rule by N. Taylor Blanchard
Cover for The Sword of Rhiannon by A.C. Farley

The seventeenth Tor Double, includes two stories, L. Sprague de Camp’s Divide and Rule and Leigh Brackett’s The Sword of Rhiannon, which are both fantasy stories masquerading as science fiction.

Divide and Rule was originally serialized in Unknown in April to May, 1939. Divide and Rule is the first of two de Camp stories to be published in the Tor Doubles series. It includes de Camp’s first of two stories in the series (both of which will be reviewed this month) and Brackett’s second of three.

Read More Read More

Goth Chick News: Yet Another Reason I Don’t Have Children

Goth Chick News: Yet Another Reason I Don’t Have Children

I don’t have kids — and while that decision might be rooted in all sorts of deep psychological selfishness, I’d be lying if I didn’t admit that horror movies had at least a tiny role in it. You know what I’m talking about: the blank stares, the sing-song voices in the dark, the slow-motion head tilts, and the uncanny way they just know things no normal human should. From the twin terrors of The Shining, to the pale, whispery menace of The Ring’s Samara, to the pint-sized creeper in The Omen: kids in horror are often less adorable munchkins and more pint-sized portals to pure nightmare fuel. So, when I first heard the premise of Zach Cregger’s upcoming film Weapons, I got a full-body chill and immediately put the release date on my calendar. Because this time, it’s not just one creepy kid.

It’s seventeen of them.

All standing up in the middle of the night.

All walking into the darkness.

All vanishing.

Read More Read More